800px-Water_Puppet_Theatre_Vietnam%283%29.jpgVietnamese

Vietnamese Water Puppets


Origin:
  • Tradition dates back to the tenth Century
  • Originated in the Red River Delta area of northern Vietnam.
  • When the rice paddies flooded the villagers used the flooded paddies to invent Water Puppetry for entertainment.

Construction:
  • Built of old fig wood
  • Made durable by seven layers of paint
  • Popular colors are black, green, lotus petal, yellow, and flesh-tone
  • Shows are performed in waist-deep water
  • A large rod supports the puppets under the water which is manipulated by puppeteers.
  • To the audience, the puppet appear to move over the water.

Competition:
  • In ancient times, the villagers would compete against each other with these puppet shows.
  • Therefore, puppet societies would become secretive and exclusive in order to develop the most creative puppets.
  • Initiation into one of these puppet societies would involve drinking rooster blood.
  • Only recently were women allowed to join the puppet troupes.
  • Most famous guild of Water Puppets is the Hong Phong guild

History
  • Water puppets were invented as a way to satisfy the many spirits who controlled all aspects of the rural Vietnamese life.
  • Therefore the shows were both entertainment and worship.

Modern Performance:
  • Performed in a pool of water 4 meters square
  • The water surface is the stage.
  • Can be in one of three different venues—on traditional ponds in villages, on portable tanks built for traveling performance, or in a specialized building where a pool stage has constructed.
  • Will have up to 8 puppeteers
  • Stand behind a split-bamboo screen
  • Decorated to resemble a temple façade
  • Use long bamboo rods and string mechanism hidden beneath the water to control the puppets
  • A traditional Vietnamese orchestra provides the background music that accompanies the performance.
  • Instruments include the following: vocals, drums, wooden bells, cymbals, horns, erhu (Chinese two-stringed fiddle), and bamboo flutes.
  • Certain instruments accompany certain character—the flute would suggest royalty while the loud drums and cymbals may introduce a fire-breathing dragon
  • Cheo is a type of opera that originated in north Vietnam which is sung to tell the story being acted out by the puppets.
  • During the performance, the musicians and the puppets interact—the mausicians may yell a word or warning to a puppet in danger or a word of encouragement to a puppet in need.
  • Puppets may enter from either side of the stage or emerge from the water.
  • The stage is decorated with colorful flags and spotlights.

Content:
  • Skits have a strong reference to Vietnamese folklore.
  • May tell of day-to-day living in rural Vietnam.
  • Often have stories of the harvest, of fishing, and of festivals.

Lesson Idea:
· In groups of 8, students will read a Vietnamese folk tale or Short Story
· Students will create a script and puppets to present the story to the class
· Show the puppet show to the class.


Bibliography

Vietnamese Short Stories: An Introduction. James Banerian, ed. Phoenix: Sphinx
Publishing. 1986.
Vu Nguyen. Vietnam.net. “The Long Cultural Strings of Water Puppetry.”
<http://english.vietnamnet.vn/vniden/2003/08/219962>.
Vietnamese Folk Tales and Legends <http://www.geocities.com/SoHo/Den/5908/legend/legend.html>.
Vietnamese Myths and Folk Tales.
<http://www.marymount.k12.ny.us/marynet/StudentResources/art/southeastasia/vietnam/html/vietmyths.html>.

View a Water Puppet Show:
http://www.vietnam-culture.com/articles-132-22/Vietnamese-water-puppet.aspx